Category: Movies

Miranda July is Pretty Damn Sincere

Posted by – July 17, 2011

Miranda July has become the unwilling exemplar of an aggravating boho archetype: the dreamy, young hipster whose days are filled with coffee, curios and disposable enchantments. “Yes, in some ways Miranda July is living my dream and life, and yes, maybe I’m a little jealous,” wrote one Brooklyn-based artist on her blog. “I loathe her. It feels personal.” To her detractors (“haters” doesn’t seem like too strong a word) July has come to personify everything infuriating about the Etsy-shopping, Wes Anderson-quoting, McSweeney’s-reading, coastal-living category of upscale urban bohemia that flourished in the aughts. Her very existence is enough to inspire, for example, an I Hate Miranda July blog, which purports to detest her “insufferable precious nonsense.” Or there is the online commenter who roots for July to be exiled to Darfur. Or the blogger who yearns to beat her with a shoe.

…But unlike certain directors who fixate on marginalia, creating art in which the engraving on a character’s belt buckle takes precedence over the story, July’s seemingly superficial gestures service something greater: a pulsing emotional center. It’s odd that she has come to represent, for some, a kind of soulless hipster cool, because in July’s work, nobody is cool. There’s no irony to it, no insider wink. Her characters are ordinary people whose lives don’t normally invite investigation. So her project is the opposite of hipster exclusion: her work is desperate to bring people together, forcing them into a kind of fellow feeling. She’s unrelentingly sincere, and maybe that sincerity makes her difficult to bear. It also might make her culturally essential.

How anyone could hate Miranda July, I have no idea. However, I am an Etsy-shopping, McSweeney’s-reading kind of lady, so I guess I fall into the demographic in question. (Heh.) And call me crazy, but I want to believe in talking cats, pink sunrises and powerful moments in ordinary lives. Because deep down, we’re all living ordinary lives and trying to make the best of it, and I want to believe that there’s more to it than paying bills and making ironic statements out of insecurity and putting up false fronts. If she can show me the magical in my own life (and she has, in her fiction and her films), then I subscribe to the cult. Sign me up!

Please read The New York Times Magazine profile on Miranda. You’ll enjoy it.

“We both love soup.”

Posted by – July 10, 2011

“We could talk or not talk forever and still find things to not talk about.”

Sometimes it’s nice to enjoy the silence, don’t you think?

Paul Strand’s “Manhatta”

Posted by – June 12, 2011

As a neophyte New Yorker (five years this August, and many more to come!), my love affair with my city is still going strong. Anything relating to the history and culture of the city is catnip to me — and I’m full of recommendations! If you’re into food, the history of New York restaurant culture — from oysters to steaks to the origin of spaghetti and over-the-top theme restaurants — you’ve got to read Appetite City. Interested in Brooklyn of the early 20th century? A Tree Grows in Brooklyn. E.B. White’s Here is New York is a given. And if you seek a feast for the eyes (and an avant garde approach to cinema), you must take in Manhatta. This short documentary, directed in 1921 by painter Charles Sheeler and photographer Paul Strand, takes a silent, non-narrative approach to city life. (Do yourself a favor and put the video on silent! Techno awaits.)

With the city as subject, the film consists of 65 shots sequenced in a loose non-narrative structure, beginning with a ferry approaching Manhattan and ending with a sunset view from a skyscraper. The primary objective of the film is to explore the relationship between photography and film; camera movement is kept to a minimum, as is incidental motion within each shot. Each frame provides a view of the city that has been carefully arranged into abstract compositions.

The surge of the morning commute looks pretty familiar, except with more hats. It’s good to know that some things never change.

What’s your favorite piece of New York media?

“I don’t know anything. I’m just a big rock in the sky.”

Posted by – May 11, 2011

I worship at the altar of Miranda July, so when I found out she has a new movie, I was all in. Her new film, “The Future,” looks tailor-made to give me butterflies. And I will cry. And a cat with a broken paw?! Fuel to the fire.

Cave of Forgotten Dreams

Posted by – May 5, 2011

 

 

 

A few nights ago, I had the distinct pleasure to take in Werner Herzog’s latest documentary, “Cave of Forgotten Dreams,” at IFC. It was magical. The sophistication of technique and the paintings’ beauty can’t be disputed, but the timeline — most of these paintings were composed over 32,000 years ago — just boggles the mind. These are the earliest known paintings of humankind. To provide some perspective, the famous images at Lascaux (the other famous French cave) go back 18,000 years; Chauvet is “another Lascaux back from Lascaux.”

Some of the paintings had a space of 5,000 years in between additions. Can you even imagine that amount of time? It’s like going to the pyramids, adding your own illustration to a panel of hieroglyphics, then walking away — and it remains untouched. Imagining 500 years from now is hard to realize; I just think of Futurama.

I highly recommend this movie. Any excuse to hear Herzog’s voice is a good excuse, in my book. And make sure to check out this interview with Herzog at The Paris Review. Good stuff.

Liz Does Her Eyes

Posted by – April 7, 2011

I’m a bit of a make-up novice; I’m no longer incapable of holding my eye shut to dab on some eyeliner — I have what I like to call “twitchy eyelid syndrome” when anything pointy comes near my eyeballs — but I’m still not a master by a long shot. I didn’t even really start using make-up (like, foundation) until I was 24 or 25. Before that it was all ill-gotten, unflattering slashes of lipstick. It wasn’t a good look, I’ll say that much.

However, to my point: I have really been enjoying Jane Feltes’s cute, informative videos on doing make-up, entitled “How to Be a Girl,” over on The Hairpin (quickly eclipsing Jezebel as my favorite lady site to waste time on). She’s like the make-up savvy older sister that I never had! Now I’m finally experimenting with this whole cat eye thing and the shadow eye stuff. It’s kind of cool!

But back to Liz. Number one, she was a total diva; violet eyes and all that. However, she also was one of those ladies who, if I have my Hollywood rumors correct, kept her eyebrow pencils in the freezer and drew in each individual hair before leaving her trailer during a shoot (or in public, for that matter). That is dedication, my friends. Here she is doing some intense make-up before…probably going to kill someone? Disco dancing? The sunglasses stymie me. I haven’t seen The Driver’s Seat, but the clip caught my fancy. RIP, Liz. I hope you and Richard are drinking scotch neat in the sky.

Mildred Pierce

Posted by – March 25, 2011

I am waiting with bated breath for Todd Haynes’s Mildred Pierce. The trailer is so beautiful!

Wild at Heart

Posted by – March 22, 2011

I saw this photo on Pinterest today and was struck by the urge to re-watch Wild at Heart. Isabella Rossellini in a blonde wig and thick brows is definitely bad-ass.

Universe in the Sky

Posted by – October 28, 2010

New Year’s resolution for 2011: learn the shapes and locations of the constellations. This star identification film from 1942 should help (things haven’t changed in the sky since the ’40s, right?). Now to get a clear view of the stars in the city! Telescope, perhaps?

What’s your resolution for 2011? I know that’s like, two months away, but I’m a planner so I’m making my list already.

[Via Secret Forts]

A Weekend Movie

Posted by – October 22, 2010

I took a class in college on vampires in literature and film. It was definitely one of the more fun and interesting courses I ever took, and it introduced me to tons of niche vampire lore. The Hunger is one such movie. It’s such a cool portrait of New York in the ’80s (my favorite time!). The cast is also uh-mazing: Catherine Deneuve, Susan Sarandon and David Bowie. (?!!!) It’s shot so beautifully, and the plot is enrapturing: centuries-old Egyptian vampire Miriam (Catherine Deneuve, natch) preys on urban club-goers in New York with her partner, John (David Bowie). Lots of great outfits! However, he can only stay young like her if she sucks his blood, and she’s kind of sick of him after a hundred or so years. That’s when Susan Sarandon enters the picture.

Watching this is a must pre-Halloween. Have you seen it? What’d you think? What’s your favorite vampire / scary movie?

My Favorite Movie

Posted by – October 20, 2010


What can I say? As much as I might profess my love for expensive coats I’ll never buy, exotic stinky cheese (mm, Stilton and Camembert!) and abstract art, I’m a Kraft mac & cheese kind of lady at heart. As such, I’ve watched Dumb and Dumber about 300 times (also Clueless, Wayne’s World, Death Becomes Herand Troop Beverly Hills).

And, oh yeah, this poster! Ingenius, right? This series of illustrated movies posters, entitled “Dress the Part,” were inspired by fashionable men in film. If this isn’t a classic, I don’t know what is. I can just see Harry and Lloyd smacking each other in the ass with their canes while wearing those tuxedos. The best!

And the Velveeta cheese sauce on top? You can buy the prints. Go buck wild!

Daily Poetry

Posted by – October 12, 2010

This is the Night Mail crossing the border,
Bringing the cheque and the postal order,
Letters for the rich, letters for the poor,
The shop at the corner and the girl next door.
Pulling up Beattock, a steady climb:
The gradient’s against her, but she’s on time.

Thro’ sparse counties she rampages,
Her driver’s eye upon the gauges.
Panting up past lonely farms
Fed by the fireman’s restless arms.
Striding forward along the rails
Thro’ southern uplands with northern mails.

Winding up the valley to the watershed,
Thro’ the heather and the weather and the dawn overhead.
Past cotton-grass and moorland boulder
Shovelling white steam over her shoulder,
Snorting noisily as she passes
Silent miles of wind-bent grasses.

Birds turn their heads as she approaches,
Stare from the bushes at her blank-faced coaches.
Sheepdogs cannot turn her course;
They slumber on with paws across.
In the farm she passes no one wakes,
But a jug in the bedroom gently shakes.

Dawn freshens, the climb is done.
Down towards Glasgow she descends
Towards the steam tugs yelping down the glade of cranes,
Towards the fields of apparatus, the furnaces
Set on the dark plain like gigantic chessmen.
All Scotland waits for her:
In the dark glens, beside the pale-green sea lochs
Men long for news.

Letters of thanks, letters from banks,
Letters of joy from the girl and the boy,
Receipted bills and invitations
To inspect new stock or visit relations,
And applications for situations
And timid lovers’ declarations
And gossip, gossip from all the nations,
News circumstantial, news financial,
Letters with holiday snaps to enlarge in,
Letters with faces scrawled in the margin,
Letters from uncles, cousins, and aunts,
Letters to Scotland from the South of France,
Letters of condolence to Highlands and Lowlands
Notes from overseas to Hebrides
Written on paper of every hue,
The pink, the violet, the white and the blue,
The chatty, the catty, the boring, adoring,
The cold and official and the heart’s outpouring,
Clever, stupid, short and long,
The typed and the printed and the spelt all wrong.

Thousands are still asleep
Dreaming of terrifying monsters,
Or of friendly tea beside the band at Cranston’s or Crawford’s:
Asleep in working Glasgow, asleep in well-set Edinburgh,
Asleep in granite Aberdeen,
They continue their dreams,
And shall wake soon and long for letters,
And none will hear the postman’s knock
Without a quickening of the heart,
For who can bear to feel himself forgotten?

__

W.H. Auden’s poetic ending to Night Mail, the 1936 documentary about the mail trains that traveled from Scotland to London. I remember watching this in college and expecting it to be like watching paint dry, but it’s pretty cool for a documentary about the mail system. (The ending definitely helps.) I have the memory span of a fly, so I’d like to rewatch all of the documentaries I studied and make some new ones (until I forget again). Early film is first on my list!

The Wind

Posted by – October 10, 2010

I love smart advertising. If you haven’t seen this commercial, do yourself a favor and watch.

Gutterballs

Posted by – October 6, 2010

Just rewatched The Big Lebowski with JB this weekend. It never gets old! This particular blackout sequence is pure magic. The bowling pin headdresses, thrusting dances, Saddam, sexual innuendo and Viking leather bustiers… The dude has my heart.

Band on the Run

Posted by – September 1, 2010

This looks like such fun. Seeing all the kids along for the tour…what a life!

Good times.

Testing, Testing

Posted by – August 29, 2010

This Kodachrome motion picture screen test is so dreamy and sweet — to think that this was just to test to see how the film looked! All of the women are so beautifully twee; it really makes me stop short. Seriously, why has the art of dressing been lost? Immediate girl crushes on all.

[Via Chateau Thombeau]

Thinking About…

Posted by – August 19, 2010

…watching Dazed and Confused again. I remember when we watched this in high school, in class. (I had a strange high school experience.) There was a lot of Beavis-ish laughing and dudes elbowing each other, I’ll say that much.

Also, the best quote (and character) Matthew McConaughey ever had: “That’s what I love about these high school girls: I get older, they stay the same age.”

Deep Thoughts

Posted by – July 29, 2010

God, I love Woody Allen. His New York is but one of the versions that I fell in love with, and every time I visit the Upper West Side in fall, I just breathe it in and have infinite flashbacks: the sidewalks, the storefronts, the park, and most of all, the aging bohemian crowd that still lives there (amidst all the younger people, but, you know). I love it.

This scene from Hannah and Her Sisters is the sort of moment that really resonates with me. If there’s one thing I do too much of, it’s worrying needlessly, and I’m always trying to stop. Here’s Woody Allen on enjoying life, inspired by the Marx Brothers, after attempting to kill himself:

“Look at all the people up there on the screen, they’re real funny, and what if the worst is true — what if there’s no god, and you only go around once and that’s it? Well, you know, don’t you wanna be part of the experience? You know, what the hell, it’s not all a drag. And I’m thinking to myself, geez, I should stop ruining my life searching for answers I’m never going to get and and just enjoy it while it lasts. And, you know, after, who knows? I mean, maybe there is something — nobody really knows. I know ‘maybe’ is a very slim read to hang your whole life on, but that’s the best we have. And then I started to sit back, and I actually began to enjoy myself.”

Here’s to enjoying ourselves, friends! Live for the day.

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